Affiliation fishwater deep; dark mist scatters. Gorey’s window sees a lass, walking the pirate cape. Headwinds and sandstone like gutters on a gothic pile. Bloody hype and networked warnings. The graphic half way and the doleful dog, blithe and spirited. Payne’s grey, the colour of Cornish painters. The graveyard shade, constantly colliding. Night’s men, handing moss across the glow.
Okay, then…
Beyond Gorey’s window lies the Fishwater Deep; a great, grey, expanse which goes down a mile. Almost cut off from the outer sea by a spit of rock, it is a deep cauldron of ocean pumped from below by undertows and currents, rising and falling like a glassy, jellied lung.
He rests his hand on the frame and stares out. The glass is flexing slightly, the headwinds battering at his home from the heart of the Atlantic.
Behind him, he can hear alarms. In fact, the sound is only a strange little gulp, like a fish surfacing in a tank. It’s the sound his computer makes when an email arrives. All the same, he hears - accurately enough - the sound of sirens. He glances unwillingly at the screen. Five messages. Six. Seven. Every single one flagged priority, immediate, blah blah blah.
Well. It’s not as if he didn’t tell them.
Night’s Men are coming.
I have, of course, completely changed the game - this isn’t liveplotting at all, I have no idea where it’s going. AND I’ve blown the whole point of it, unless Kate’s flight is appallingly late. She’s loooong in the air. Well, that’s writing. So here’s this weird little orphan chunk of writing, the start of something. Maybe one day I’ll do the rest of it. It looks to have some meat on it… yes? No?
:)
NH